The charm of southern France is such as to compel most writers thereon to become discursive. It could not well be otherwise. Many things go to make up pictures of travel, which the most polished writer could not ignore unless he confined himself to narrative pure and simple; as did Sterne. One who seeks knowledge of the architecture of southern France should perforce know something of the life of town and country in addition to a specific knowledge of, or an immeasurable enthusiasm for, the subject.
